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[harpooning a jar of pickles]

on Věra Chytilová’s Daisies

+

^ ** ^   m/e/c/h/a/n/i/c/a/l    h,i,n,g,e    POLKA DOT bomb bOMb BOMB   [s]   , , , , , fruits (of paradise ??? that’s the NeXt TrIcK) , , , , flywheel MaRiE    mArIe   the motion set adrift strafing : :  creak   creak   creak   creak   creak   creak   creak  : : may AS well AS spoiled AS why not    ] while the muck away the time [   , , ,   worn  & worn   &   worn   &  all spoiled to the de(con)structive   > > > >    a dance that reverts the types the [dis]illusions CRACKING subversive states :

‘a necrologue about a negative way of life’ – – –

inverted   > > > >    ANTI!    ANTI!    ANTI!     > > > >

an overplayed HAND dealt of stereotypical regimes ] food for thought [ food for advantage [ food for weapons [ . . .

mOcK    mOck   Mock   MOCK  &

ViViD

TrAiNs

OF CoLoR

flash

: B&W   :   Reds   :   Greens   :   Blues   :    cut in/out /

figments of privilege | flutter flutter flutter of an overstated lash |   – – – thick pointed layers of black around the eyes  – – – flap

flap

flappers   , , ,   the disruptive chaos (invoked MaRx [brothers, et al.]) , , , perfected , , ,

, delusions of a systematic purpose,

a JUMP

a HOP

hop

HoP . . .

if a philosophy is a farce   – – –  the GAS (heart) left on is NO good   ] a window [ a waste [ the body butterflies , , , ,

declarative clichés

, he [they]who CANNOT see beyond charades / facades / mockery / the phone speaks without understanding

CUT-UP!

CUT-UP!

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