Malzberg Portal To…

Bajoran wormhole | Memory Alpha | Fandom

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HERSELF, WITH THE MONITORS

MAY NOT YET REACH US FOR BILLIONS OF YEARS

IONS OF WHICH

DAMNED INNOCENT

UNSETTLE TRON

Q-BACKED

IF YOU GIVE A SHIT

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KAZON MINING GRIFT

DEUTERIUM-COATED THREE YEAR OLDS

RAMPANT

SAY IT’S OUTSOURCED

SAY IT’S DRUNK

SAY IT’S CLOSER TO A THEME PARK THAN A HORROR SHOW

FOX WHO?

HALF A STAR FOR THE LIZARD EP

ZERO STARS FOR HER

KEEP GOING DOWN THIS PATH NED

KEEP GOING DOWN THIS PATH AND THE KIDS ARE GONNA DISCOVER KORSCH DIG UP ROBESON THINK ABOUT

VOIGT AS BAO ZHENG

STREEP AS THE ANC

DID SANKARA HAVE A LISP?

CAN KOREAN PEOPLE LIE? Continue reading

Galaxies // Barry N. Malzberg [Thoughts & Spoilers]

ANTI-OEDIPUS PRESS: Galaxies

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Author: Barry N. Malzberg

Setting: his living room

Plot: Malzberg can’t be bothered writing a novel so writes the notes for one

Subplot: Malzberg can’t stand whichever sci-fi writers he’s criticizing [Heinlein?], but sees them at conventions sometimes so doesn’t want to use their names

Sub-subplot: A ship falls into a black ‘galaxy’, where narrative descriptions are endless

Notes:

The cover is good, the plot description is good, the 4 and 5 star reviews on Goodreads make good points, but the 2 star reviews are closer to how I feel about this.

Basically, the novel is a series of short chapters that function as notes on a future novel as well as Malzberg’s feelings on the state of 70’s sci-fi. Straight away this brings up two problems. 70’s sci-fi is era specific and, although some of the points remain valid [e.g. writing filler to bump up the word count, hard sci-fi writers hiding their lack of writing ability behind hard science], the era itself is long gone.

The second problem: if you’re going to write notes for a novel, you have to a] make sure the concept of that novel is interesting and complex, and b] keep your novel length down. Even at 180 odd pages, Galaxies is exhausting.

In fact, I haven’t finished the book yet.

Don’t know if I will either.

I’m on page 68, I think, and Malzberg is currently writing out potential dialogue between Lena, the main character, and another character who isn’t on the ship, it’s a flashback, a potential flashback, and I don’t really know either of these characters, I don’t care about them, and if this is the case then you better at least make the dialogue interesting.

It isn’t. Continue reading