[harpooning a jar of pickles]
on Věra Chytilová’s Daisies
^ ** ^ m/e/c/h/a/n/i/c/a/l h,i,n,g,e POLKA DOT bomb bOMb BOMB [s] , , , , , fruits (of paradise ??? that’s the NeXt TrIcK) , , , , flywheel MaRiE mArIe the motion set adrift strafing : : creak creak creak creak creak creak creak : : may AS well AS spoiled AS why not ] while the muck away the time [ , , , worn & worn & worn & all spoiled to the de(con)structive > > > > a dance that reverts the types the [dis]illusions CRACKING subversive states :
‘a necrologue about a negative way of life’ – – –
inverted > > > > ANTI! ANTI! ANTI! > > > >
an overplayed HAND dealt of stereotypical regimes ] food for thought [ food for advantage [ food for weapons [ . . .
mOcK mOck Mock MOCK &
: B&W : Reds : Greens : Blues : cut in/out /
figments of privilege | flutter flutter flutter of an overstated lash | – – – thick pointed layers of black around the eyes – – – flap
flappers , , , the disruptive chaos (invoked MaRx [brothers, et al.]) , , , perfected , , ,
, delusions of a systematic purpose,
HoP . . .
if a philosophy is a farce – – – the GAS (heart) left on is NO good ] a window [ a waste [ the body butterflies , , , ,
, he [they]who CANNOT see beyond charades / facades / mockery / the phone speaks without understanding